by Lauren Kindle
“Painting should be a great joy. It should be joyful…
When people look at my painting, I want them to see that it’s alive.”
“I like to imagine that he just plows through a thick rainforest-of-canvases, wielding his paintbrush like a machete,
gracefully knocking them out with ease…”
I wrote those words about the artist Will Harmuth two years ago, commenting on an art blog (linesandcolors.com), and it’s still true today.
It’s clear Harmuth deeply enjoys his work, much of which celebrates the scenery around him, for example, the bucolic landscapes of rural New Jersey, where he lives, and the urban architecture of Easton, PA. He manages to paint these subjects without sentimentality or triteness. Rather, they proclaim an exuberant strength, an authenticity true to his inner vision.
Harmuth has both facility and confidence in his ability, and for good reason: he has devoted the last 45 years of his life to painting. He began his career with a strong foundation in art education, learning the craft from skilled teachers and mentors at the Art Students League and the Graduate Newark School of Fine and Industrial Arts. After putting time into learning and mastering the rules of painting, he feels quite joyful about breaking them!
Harmuth sees himself as part of a lineage going back to the Ashcan School of American Realism. Robert Henri (1865-1929) was a leading teacher and painter in this movement. He wrote the wonderful book, The Art Spirit, which Harmuth highly recommends. This book is immensely helpful to artists; it gives a mixture of practical “how-to” advice, as well as a glimpse into the deeper philosophical meaning behind the artist’s vocation. Henri writes:
“The most vital things in the look of a landscape endure only for a moment. Work should be done from memory; memory of that vital moment.”
Capturing the moment is what it’s all about, according to Harmuth. It’s something only the artist can do. “Whatever resonates with you, the artist: that’s your moment,” Harmuth tells me, on a recent visit to my studio. “Only you can express that moment.
Harmuth currently finds himself in a stage of his career where he can devote more energy to the fine art side of things, which is his passion.
He reveals his enthusiasm for painting with every bold, vigorous mark and in his prolific output of strong, vibrant compositions.
He advises artists who are starting out: “Don’t paint the life out of it. Paint the life in it.”
Will Harmuth is an active member of the Easton art community. He is currently represented by Connexions Gallery in Easton, PA, Clinton Falls Gallery in Clinton, NJ, and Weiler House Fine Art Gallery in Fort Worth, Texas. View Will’s work online at www.willharmuth.com.